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Bobbi Broome

film programmer, curator, and critic
  • home
  • film & tv reviews
  • festival programming
  • filmography
  • photography
    • portraits
    • places
  • about
  • press

Film & TV Reviews

Take a look at my featured work. For more, please check out my substack, linked here. 


Featured posts:

Featured
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July 19, 2026
Cleopatra Jones (1973) | Series 2: Blaxploitation and the Cities That Make Us
July 19, 2026
July 19, 2026
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July 13, 2026
Better Late Than Companion (2025)
July 13, 2026
July 13, 2026
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July 4, 2026
Women on the Verge of a Nervous Breakdown (1988) | Series 1: Women on the Verge (Of a Nervous Breakdown)
July 4, 2026
July 4, 2026
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June 22, 2026
Valley of the Dolls (1967) | Series 1: Women on the Verge (Of a Nervous Breakdown)
June 22, 2026
June 22, 2026
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June 14, 2026
Ganja & Hess (1973) | Series 1: Women on the Verge (Of a Nervous Breakdown)
June 14, 2026
June 14, 2026
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June 7, 2026
Jennifer's Body (2009) | Series 1: Women on the Verge (Of a Nervous Breakdown)
June 7, 2026
June 7, 2026
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June 1, 2026
Perfect Blue (1997) | Series 1: Women on the Verge (Of a Nervous Breakdown)
June 1, 2026
June 1, 2026
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May 23, 2026
A Girl Walks Home Alone at Night (2014) | Series 1: Women on the Verge (Of a Nervous Breakdown)
May 23, 2026
May 23, 2026
Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8
May 17, 2026
Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8
May 17, 2026
May 17, 2026

Perfect Blue (1997) | Series 1: Women on the Verge (Of a Nervous Breakdown)

June 01, 2026

About the Series: In this 7-week series, I will review and analyze films specially curated for the theme “Women on the Verge (Of a Nervous Breakdown).” Enjoy analyses and thoughts on our cinematic favorites, underrated gems, and discover what makes the featured women protagonists, “On the Verge.”

Dealing with themes of exploitation, identity, voyeurism, and personal portrayal, Perfect Blue was a highly anticipated watch that did not disappoint. Ambiguity, confusion, distraction, and surveillance reign supreme in this psychological horror directed by Satoshi Kon and written by Sadayuki Murai. Centering on Mima, a young woman who takes significant agency over her life early in the film, Perfect Blue acts as a grim reminder that women who are bold enough to claim personal power over their lives often face dire consequences from structures and malevolent forces, leading to uninhibited gaslighting and psychological turmoil, often inflicted by confidants and close personal connections. In this case, Mima is victimized by her manager, Rumi.

Read more on substack
Tags: Film and TV Reviews, Film Criticism
← Jennifer's Body (2009) | Series 1: Women on the Verge (Of a Nervous Breakdown)A Girl Walks Home Alone at Night (2014) | Series 1: Women on the Verge (Of a Nervous Breakdown) →
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