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Bobbi Broome

film programmer, curator, and critic
  • home
  • film & tv reviews
  • festival programming
  • filmography
  • photography
    • portraits
    • places
  • about
  • press

Film & TV Reviews

Take a look at my featured work. For more, please check out my substack, linked here. 


Featured posts:

Featured
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June 1, 2026
Perfect Blue (1997) | Series 1: Women on the Verge (Of a Nervous Breakdown)
June 1, 2026
June 1, 2026
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May 23, 2026
A Girl Walks Home Alone at Night (2014) | Series 1: Women on the Verge (Of a Nervous Breakdown)
May 23, 2026
May 23, 2026
Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8
May 17, 2026
Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8
May 17, 2026
May 17, 2026

Chase Infiniti and Lucy Halliday star in Hulu’s “The Testaments,” the sequel series to “The Handmaid’s Tale.” (Russ Martin / Disney)

Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8

May 17, 2026 in TV Reviews

As a steadfast fan of The Handmaid’s Tale and now The Testaments, I have allowed myself to absorb the prickly, volatile nature of the world placed in front of me. Constant unfortunate encounters in the world of Gilead bring painful visuals of sexual slavery, authority, domination, ridicule, and the bastardization of Christianity. Though, to only acknowledge these factors removes us from the sovereignty and sisterhood beneath the surface.

To look at the world of Gilead only through the lens of sexual deviation and control is to miss a vital essence of the story—an essence that The Eyes do not want us to see. It is to misunderstand how the story has balanced the ability to be salacious and unsettling. The true power of The Testaments is not only in the innocence of girlhood but in the way the girls refuse to stay locked in the prison of their own minds. One by one, they are starting to crack. The chasm leaves behind the effervescent belief that the power of self-sovereignty and liberation can, and should, be up to their own discretion. In doing so, it overturns the idea that to be a girl, a woman, feminine, and a wife, we must trap ourselves in the box labeled Innocent, Fragile, Doting, and, as episode eight is titled, Broken.

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Tags: Film and TV Reviews, Film Criticism
← A Girl Walks Home Alone at Night (2014) | Series 1: Women on the Verge (Of a Nervous Breakdown)
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